Children’s Canal Books in England.(Part 7)

Adventure Stories from the 1950's.

The decade commenced with another Thames adventure –Eric Leyland’s ‘Discovery on the Thames’  published in 1950.

Sunny Stories. No’s 611, 618, 637. From March, May & September 1954.

For very young children – ‘Sunny Stories’  appeared in the UK throughout the 1940’s / 50’s and was edited by Enid Blyton for many years. As a shareholder in the magazine she seems to have taken exception to the appearance of advertisements in the magazine for books written by authors other than herself. This disagreement culminated in her resignation as editor in 1954. Her replacement was none other than Malcolm Saville who as we have seen had already written two canal adventure stories in the 1940’s. Knowing canal stories to be a ‘good thing’ he included these 3 stories in comics issued soon after the commencement of his editorship.
 
‘Young Johnnie Bimbo’  First Ed Dust Wrapper from 1955 and Paperback version from 1970.

Shown above, Malcolm Saville produced his third and last canal book - ‘Young Johnny Bimbo’  Published in 1955 it was again set on the Grand Union Canal but this time involving circus life.

CANAL CATS, BADGERS, MONKEYS & TUNNELS.

 Gunpowder Tunnel by Bruce Carter 1955.

A book with a new direction appeared in this same year – ‘Gunpowder Tunnel’  by Bruce Carter. Set in the 18th century this was the first book in the ‘Historical Adventure Story’ genre of books to appear with a canal setting. This setting was a device that was to become very popular in succeeding years for both adult and juvenile fiction works. The author had thoroughly researched his subject and chose to set his story around the building of Sapperton Tunnel on the Thames and Severn Canal. The result was an exciting and realistic adventure story for 10 –12 year olds.

 
Shown above – Two books for younger readers which appeared in 1955.

The most elusive of children's canal books appeared in 1957 written by the established writer of juveniles – Winifred Finlay. ‘Canal Holiday’  seems to be exceptionally uncommon, in fact so rare that I have yet to find or even see a copy (In the unlikely event that you have a spare copy then I’m your man). So I am sorry that I cannot show you an illustration of this book.
Most readers of this blog will be familiar with Tom Rolt’s first book ‘Narrow Boat’ . It is said that Rolt wanted to illustrate his book with photographs but ‘Countryside book production’ conventions to which his publishers Eyre & Spottiswoode  adhered prevented this. I suppose it depends on your point of view but personally I find the scraperboard images produced by D J Watkins- Pitchford for this book perfectly complement the nostalgic melancholy of this text with its plea for the retention of a fast disappearing way of life.
At any rate judging by the rare book prices asked for any of Watkins- Pitchford’s books ,there must be a lot of admirers out there.He even has a society dedicated to his life and work. A Keen fisherman and countryman he also wrote several books for children one of which for very young readers involved badgers and a canal. Bill Badgers Winter Cruise  is illustrated below with its 1st edition dust wrapper and should you want a copy be prepared to pay £120 plus for it !!

First Edition Dust Wrapper from 1959.









One of the best children's books from the period  - John Verney’s Friday’s Tunnel involves the imaginary Callender family in a series of adventures with yet another canal tunnel as a setting. John Verney was an established artist who illustrated his own books in the style of Edward Ardizonne.

 

Fridays Tunnel. First Edition 1959.


     The final book of the era was unusually set on a wide beam boat on the waterways of the North East. Well researched and with an authentic tone it describes the fight for survival of a No1 or bye trader against the larger carrying companies. It was the first book to be set on a wide boat since the publication of Jims Children in 1903.


The Monkey On The Red Rose 1st Ed.1959.

To follow and in preparation – Books of the 1960 – 70 period.

To read the whole 7 parts in this series in one go (1870-1960) go to my other blog - http://canalbookcollector2.blogspot.com

Engraving of the week

'Ballasting'  From 'Life on the Upper Thames' 1875.

Inexplicably H R Robinson the author has nothing to say about this engraving other than to state that it was an operation carried out to maintain a navigable channel .
Before the era of steam dredgers this was an obviously laborious way  of dredging and seems to be a similar but even more primitive technique than the old spoon dredgers used on the canals.
  

Sorry for the delay in the appearance of new posts but a great trip down the M'cr Ship Canal, Mersey tideway and into Liverpool Docks and then through the Liverpool Link & Leeds and Liverpool over the last few days put all thoughts of blogs and posts out of my mind.

Engraving of the week

Osier Cutting  from 'Life on the Upper Thames ' by H R Robinson 1875.
Robinson tells us that the term osier is applied to the various species of willow used in basket making and that these species can be differentiated from other willow species by the fact that osiers have their leaves opposite each other on the stem or 'rod'. The beds of osiers were called holts or hams and in the late 19th century about 7,000 acres were under cultivation.
The rods were harvested in March and after cutting were separated into different sizes and sorts with the strange and archaic names of Luke, Threepenny, Middleborough, and Great. A bundle of willow rods was called a bolt and was formed using two pieces of wood to hold the rods while being tied or 'winched'  into a bolt. In Robinsons time there were said to be over 300 different sorts and colours of osiers in cultivation.
Happily basket making in the UK is still alive and well but supplies of English willow now mainly come from the Somerset levels.

Engraving of the week.

'Boat - Building.'  From 'Life on the Upper Thames' 1875.

There can't be many boats being built in the traditional manner on the Thames these days. In Victorian times there were literally hundreds of boat-builders on the river producing dozens of different craft ranging in size from dinghies, canoes,skiffs,gigs,randans and punts' through to launches and steamers.
All this variety and the associated hand crafted boat- building skills involved nearly disappeared but being the tradition loving and society forming nation that we are , all was not lost with the appearance of the first Thames Traditional Boat Rally in 1978. If you want to see literally hundreds of lovingly restored boats from yesteryear then the weekend of July 16th/17th at Henley on Thames is the place for you. Their website contains hundreds of photos of restored craft. Go to http://www.tradboatrally.com/
For a short video clip by Julia Bradbury first seen on BBC's Country file concerning Peter Freebodys boat yard at Hurley where traditional craft are built and restored, go to - http://www.peterfreebody.com/

Engraving of the week.

 

'The Ferry'  from Life on The Upper Thames by H R Robinson 1875 

The ferry as an everyday feature of Thames life and worked as in the illustration was only found on the upper reaches of the river. The rope which had to be raised for large vessels passing would have been too inconvenient where traffic was heavier in the lower reaches. Other ferries were worked by punting or by a chain on the bed of the river which passed round the axle of a wheel on board the boat.

Tolls for horses varied from one to three old pennies and on some Thames Conservancy ferries were free for barge horses. Passengers paid one halfpenny and amazingly this fee had remained unchanged for over 300 years!

Of the once many ferries there are now only six in operation, all needless to say now motorised and somewhat larger than their forebears.

Engraving of the week .

 

 

 

'Lowering the Eel Bucks ' - From Life on the Upper Thames (1875).

 

Eels once formed part of the basic diet of many riverside communities and they were beloved by Londons East Enders along with cockles and whelks.

The eel buck was peculiar to the Thames although eel fishing was practiced on many other English rivers. The wicker basket was made locally from willow harvested from the rivers banks and was then mounted on a wooden framework where it could be raised and lowered into the water.

There are many accounts of its hindrance to navigation and the buck is perpetuated in the names of a couple of islands - Buck Eyot and Handbuck Eyot  one near Shiplake and the other near Marsh Lock.

The Eel Buck passed out of use early in the last century and this could partly be due to an increase in living standards as the eel had always been considered as a food of the poor. Today with the stocks of eels being said to have declined by up to 95% the species is strictly protected. Environmental  factors, overfishing and global warming are said to be some of the reasons for this catastrophic decline although the presence of high levels of industrial chemicals in the fish could also be another potent reason for its scarcity.

Engraving of the week.

POLLING THE WILLOWS - from Life on the Upper Thames by H.R. Robertson. 1875.



A characteristic tree of all riversides the willow is especially evocative of the Thames and Cherwell valleys. They are still pollarded today but in Robertson's time the the branches resulting from polling produced a useful crop and work for those engaged in harvesting it.
The trees used to be polled every seventh year in the middle of winter and the resulting trees were called pollards. The wood had been used from early times and produced such things as baskets, parts for carts and gun stocks, harrows, shoemakers lasts, clogs, forks, hay rakes, rafters, ladders, poles to make hurdles and lattices and for many other uses. It was particularly famed as the best wood for producing charcoal  and as the chosen wood for cricket bats.
In the Victorian era it supplied the timber for water wheels and for the floats of paddle steamers. It was also used in tanning leather.
                                                            

The First Roses and Castles 1873.

Illustration by H R Robinson in the Art Journal 1873.

My Dec 2110 blog ‘On the canal in 1858’  contained the first written description of Narrow Boat decoration. The illustration shown above depicts the first known illustration of this art.
Henry Robert Robinson made his sketching journey on the Upper Thames in the early 1870’s with the express intention of recording the life, lore, customs, crafts and the workers of the river. We are fortunate to day that Robinson was so ambitious in the scope of his enterprise because he has left us with a priceless collection of unique illustrations of riverside life in the mid 19th century.
The results of Robinsons work were published in a series of articles written for the British periodical the Art Journal during 1873. As well as showing obscure and long forgotten crafts the artist also includes detailed written observations which are invaluable for us today.


Gilt decorated and embossed front cover and spine of ‘Life on the Upper Thames’  1875.
A couple of years later in 1875 the artist collected his articles together and published them in book form.’ Virtues’ the art publishers produced the book and the result was as you can see a handsome volume which must have been quite an expensive item to buy and was I suppose the Victorian equivalent of a coffee table book. My copy is a presentation copy with the name of the collage on the front cover.

Title Page.

The book contains an engraved frontispiece titled ‘The Pride of the Thames’ which is absent in the art journal but which again clearly shows the boat decoration.
The artist writes in his chapter on the boat people that their trade is declining and that the boats were called besides the familiar ‘canal boat’,’ barge’ and ‘monkey boat’ -  ‘wussers’. I must admit that I hadn’t come across that title before!
There is much more of interest here and I hope to be able to blog about the written descriptions in a future blog.
Meanwhile in the coming weeks I will be blogging more of the 36 full page engravings from the 36 diverse chapters of this rare book 
Pride of the Thames.

Women of the Barges.Aug 29th 1942

‘Illustrated Magazine’. August 1942.                                                          

‘Illustrated Magazine’ was published throughout the 1940s /50s and was along with its great rival – ‘Picture Post’ a  very popular source of news and current affairs.
Of the three articles concerning Britain's canals in wartime published in these two magazines; the ‘Illustrated Mag’ shown above has a very early entry which might interest those interested in the origins of the ‘Idle Women’ and the wartime boat training scheme on the Grand Union.
  
Caption reads - ‘Empty; the – ‘Heather Bell’  heads for the collieries to take on a load of coal’.                                                                    
The March family from Worcestershire had owned the ‘Heather Bell’ for some years before war broke out in 1939 when they decided to help the war effort by carrying with the boat. The photograph shows Daphne March (Daughter) and a crew member with the boat at Tipton.. Initially Daphne’s elder brother was involved with the running of the boat but after he entered the armed forces Daphne and her mother ran the boat alone.
The boat carried coal from the Birmingham area for delivery to canal side premises in Worcester with a return trip with flour to Tipton. Occasional trips were made elsewhere.

L T C Rolt living on his boat ‘Cressy’ at Tardebigge on the Worcester & Birmingham canal during the war years would have known this boat and its crew well. He mentions  a boat passing him in the dusk and the ‘Roedean’ accents of the female crew members  floating back to him as the boat passed by.
    The boat started its run to Tipton in February of 1941 but after her brother left to enter the armed forces Daphne advertised in the Times for a new crew member. Molly Trail joined the boat and she in turn introduced Kit Gayford as a crew member.Molly left in the autumn of 1941 but Kit Gayford stayed on until the boat sank in an accident in December of that year
After leaving the Heather Bell, Molly Trail was one of those involved in planning the wartime female boat training scheme for the GUCC and the Ministry of War Transport and in the summer of 1942 Kit Gayford joined her and they both started training the women who applied to join the scheme.
The March family were thus early forerunners of the all women wartime crews  although it should be said that it was not unknown,from early times on, for a wife (after the death of her husband) to steer the family boat perhaps with the help of a daughter.
The subject of Daphne March,the ‘Heather Bell’ and the ‘Idle Women’ boat training scheme is dealt with in much more detail in a great item by Mike Constable in a current article in the Historic Narrow Boat Owners Club newsletter. http://www.hnboc.org.uk . Mike has researched this subject very thoroughly and is able to deal with it in some detail.

                               
Daphne March and her mother.                                                                        

Daphne features in another wartime publication which I will review shortly.